Sound design isn’t just about adding effects, it’s about clarity, balance, and intention. Below is a before-and-after example demonstrating how raw or incomplete audio is transformed into a finished, story-ready mix.
Above is an ideal situation where all of the dialogue is clean, and all that is added is the texture of the sound effects. This is often not the case, however. Many times the audio needs to be cleaned in order to be usable. Next, you can see examples of finished projects where I worked on the Sound Design.
Fan Dub - Sound Design by Jim Bradley
Sound Design by Jim Bradley
Sound Design by Jim Bradley
Sound Design for Narrative Storytelling
Moderate Dialogue Editing & Cleanup
Foley & Environmental Design
Ambiance & Atmosphere Creation
Audio Mixing & Mastering
Video Sync & Audio-to-Picture
Audio Dialogue Replacement (ADR) & Dubbing
Sound design decisions are made with the story as the guiding priority, ensuring that every element serves the narrative rather than distracting from it. The goal is to support performances, not to mask or overpower them, by enhancing clarity, emotion, and intention in a way that feels natural and purposeful. Collaboration is central to the process, with close communication alongside directors and actors to ensure creative alignment at every stage. Workflows are designed to be clean, efficient, and repeatable, allowing for consistency across projects while maintaining flexibility when creative needs evolve.
Depending on the needs of the project, I can deliver either finished video files (MP4) or audio files (MP3 or WAV), with all audio produced to industry standards (48,000 kHz, 24-bit mono). I work with a range of professional tools, including Audacity, Studio One, and DaVinci Resolve.
As part of my workflow, I typically provide a rough cut early in the process to ensure the sound design aligns with the creative vision. This version features preliminary sound and pacing rather than final polish, allowing for feedback and revisions to happen early, before committing to a full final pass or major redesign.
Sound design is frequently more accessible than many creators expect. For smaller independent projects, rates may begin at $50 per finished minute (PFM). Because each project presents its own creative and technical considerations, I determine pricing on a per-project basis rather than a fixed PFM rate. This ensures the scope, complexity, and production needs are properly accounted for. Full payment is required before production begins. If you want to know exactly what your project will cost, reach out to me for a quote.
I provide sound design and audio production for a wide range of projects, including audio dramas, animations, short films, fan projects, promotional videos, advertisements, and other narrative-driven content. If your project tells a story, there’s a good chance I can help bring it to life.
Sound design can include ambiance creation, foley, effects, audio cleanup, dialogue layering, and final mixing, depending on the needs of the project. Each project is different, so services are tailored to support the story and performances without overpowering them.
Sound design is often more affordable than people expect. For smaller independent projects, rates can start as low as $50 per finished minute (PFM). Because every project has unique creative and technical needs, I provide custom quotes based on scope rather than relying on a flat rate.
Yes. I prefer to review the details of a project before providing a quote. This allows for flexibility in pricing while ensuring the time and care required for your project are properly accounted for.
Depending on project needs, I can deliver finished audio files (WAV or MP3) or video files (MP4). Audio is delivered at industry standards (48kHz, 24-bit, mono or stereo as required).
Yes. Projects typically include a rough cut stage, allowing for feedback and early revisions before final delivery. This helps ensure creative alignment and minimizes the need for major changes later in the process.
I work with a professional toolset including Studio One, Audacity, and DaVinci Resolve, along with industry-standard plugins for editing, cleanup, and mixing.
Turnaround time varies based on project length and complexity. Once I review your project, I’ll provide an estimated timeline as part of the quote.
Full payment of the agreed-upon amount is required before work begins. This ensures dedicated time and resources are reserved for your project.
Absolutely. Collaboration is a key part of my workflow. I’m happy to coordinate with directors, actors, and other creatives to ensure the audio supports the intended vision.
Simply reach out through the contact form with a brief description of your project. I’ll follow up with any questions and next steps to get things moving.